Contents. Structure The composition consists of the following parts:. Prelude ( Marche en rondeau). Te Deum laudamus (bass solo). Te aeternum Patrem (chorus and SSAT solo). Pleni sunt caeli et terra (chorus). Te per orbem terrarum (trio, ATB).
Tu devicto mortis aculeo (chorus, bass solo). Te ergo quaesumus (soprano solo).
Aeterna fac cum sanctis tuis (chorus). Dignare, Domine (duo, SB). Fiat misericordia tua (trio, SSB).
In te, Domine, speravi (chorus with ATB trio) Charpentier considered the key D-major as 'bright and very warlike'. The instrumental introduction, composed in the form of rondo, precedes the first verset, led by the bass soloist. The choir and other soloists join gradually. Charpentier apparently intended to orchestrate the work according to the traditional exegesis of the Latin text. The choir thus predominates in the first part (verset 1-10, praise of God, heavenly dimension), and individual soloists in the second part (verset 10-20, Christological section, secular dimension). In subsequent versets, nos. 21-25, both soloists and choir alternate, and the final verset is a large-scale fugue written for choir, with a short trio for soloists in the middle.
Orchestration The composition is scored for five soloists (SSATB) and choir (SATB), accompanied with an instrumental ensemble of 2 nonspecified recorders or flutes, 2 oboes, 2 trumpets (second trumpet in unison with timpani), timpani, 2 violins, 2 violas ('haute-contres de violon' and 'tailles de violon') and basso continuo. Typical continuo instruments used in French baroque music are 'basses de violon' (a cello-like, large scaled instrument often replaced by the cello in modern performances), organ, harpsichord, theorbo, bass viol and bassoon or 'basse de cromorne' (a kind of bass oboe). Furthermore, serpents were frequently used to double the bass line of vocal choirs in 17th century France.
Since the instrumental ensemble is mostly constricted to 4 parts only (wind instruments and violins playing the same line), it is very easy to reduce the instrumentation if needed. In popular culture After the work's rediscovery in 1953 by French musicologist, the instrumental prelude, Marche en rondeau, was chosen in 1954 as the theme music preceding the broadcasts of the. After over sixty years of use notably before EBU programs such as the popular and, the prelude, as arranged by and directed by, has become Charpentier's best-known work. The prelude was used for the introduction of the Olympiad films. The prelude was briefly played during King Richard's coronation in the 1995 film.
The prelude was played in TV series S02 E02, at Palace of Versailles in 1744, during reign of King Louis XV of France. References.
Te Deum Sheet Music
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Access should be instant after payment has been made in both cases. Before subscribing, please check our to ensure your will have no problems with our PDF files. Most common problems can be resolved on our. What subscription covers. All 8notes.com PDF files, all 8notes.com Subscription Only pieces What subscription doesn't cover. Access to any in-copyright popular music, in particular, full versions of the popular music riffs. Refunds We have a no quibbles refund policy if you are unhappy with your subscription for any reason.
Refund requests should be sent to. 'By Marc-Antoine Charpentier (1645-1704).
For trumpet solo (in C or D, or piccolo trumpet in A) and organ accompaniment. Difficulty: medium-difficult. Instrumental solo book. Solo part, standard notation and organ accompaniment. Published by Emer By Marc-Antoine Charpentier (1645-1704).
Arranged by Jean-Paul Montagnier. Piano reduction. Schott Music #ED12601.
Published by Schott Music 'By Marc-Antoine Charpentier (1645-1704). Edited by Helga Schauerte-Maubouet. Vocal soli, mixed choir, orchestra. For soprano voice solo/alto voice solo/tenor voice solo/bass voice solo/mixed choir/2 trumpets/timpani/harpsichord/strings. This edition: Urt 'By Marc-Antoine Charpentier (1645-1704).
Edited by Helga Schauerte-Maubouet. For soprano voice solo 1, soprano voice solo 2, alto voice solo 1, alto voice solo 2, tenor voice solo 1, tenor voice solo 2, bass voice solo 1, bass voice solo 2, piano.
This e By Marc-Antoine Charpentier (1645-1704). Arrangements faciles H.G. Published by Editions Henry Lemoine 'By Marc-Antoine Charpentier (1645-1704). Edited by Helga Schauerte-Maubouet. For Soprano voice solo 1, Soprano voice solo 2, Alto voice solo 1, Alto voice solo 2, Tenor voice solo 1, Tenor voice solo 2, Bass voice solo 1, Bass voice solo 2, Choir, Orches 'By Marc-Antoine Charpentier (1645-1704). Edited by Joel Schwindt. Arranged by Joel Schwindt.
For soprano voice solo 1 / soprano voice solo 2 / / alto voice solo / tenor voice solo / bass voice solo / SATB choir / 2 flutes /2 violins / viola / basso conti (Christmas Mass (Liturgical)). By Marc-Antoine Charpentier (1645-1704). Arranged by Jean-Paul Montagnier. Piano reduction. Schott Music #ED12600. Published by Schott Music '(For Chorus, Soloists, and Accompaniment). By Marc-Antoine Charpentier (1645-1704).
Edited by H.Wiley Hitchcock. Arranged by H.Wiley Hitchcock. For Two Sopranos Solo, Alto Solo, Tenor Solo, Bass Solo, SSATB Chorus, Basso Continuo, Keyboard. By Marc-Antoine Charpentier (1645-1704). Arranged by Andrew Kissling. For solo trumpet and string quartet.
Score and set of parts. Published by AK Brass Press (Choeurs Sans Accompagnement). By Marc-Antoine Charpentier (1645-1704). For choruses a cappella. Published by Alphonse Leduc 'By Marc-Antoine Charpentier (1645-1704).
Edited by Helga Schauerte-Maubouet. Arranged by Andreas Kohs. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, mixed choir, 2 flutes, 2 oboes, 2 trumpets, Timpani, Organ, Strings.
This e 'By Marc-Antoine Charpentier (1645-1704). Edited by Helga Schauerte-Maubouet.
Arranged by Andreas Kohs. For Soprano voice solo, Alto voice solo, Tenor voice solo, Bass voice solo, mixed choir, 2 flutes, 2 oboes, 2 trumpets, Timpani, Organ, Strings.
This e 'By Marc-Antoine Charpentier (1645-1704). For SS, organ, SSA, SSATB, inst. Text Language: Latin, French. Published by Masters Music Publications Inc.' 'By Marc-Antoine Charpentier (1645-1704).
Arranged by Andrew Kissling. Brass quintet and organ.
For 2 Bb or C Trumpets, Horn, Trombone, Tuba, Organ. Score and set of parts. Published by AK Brass Press' By Marc-Antoine Charpentier (1645-1704). Edited by Catherine Cessac. For string orchestra.
Marc-Antoine Charpentier Musique instrumentale integrale. Published by La Sinfonie d'Orphee 'By Marc-Antoine Charpentier (1645-1704). For Solo SATB, SATB Choir, 2 Flutes, 2 Violins, Cello/Contrabass, Organ. Score available separately - see item CA.2100100. Cantatas; Use during the church year: Christmas.
Piano/Vocal score. Language: Lat.
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Marc-Antoine Charpentier: Prelude from the Te Deum - arranged for Piano The French Baroque composer Marc-Antoine Charpentier (1643-1704) wrote a wide variety of works, including operas and a large amount of sacred music. His 'Te Deum' is a motet, i.e. A choral work consisting of many movements, with its Prelude acting as an instrumental introduction written for a small ensemble. The Prelude is in rondo form and it is often played as a stand-alone piece, for example as a church voluntary. Its bright march-like nature makes it suitable for happy occasions such as weddings and other services.
For this reason it is often played on an organ, and this arrangement for piano may also be played on an organ with or without pedals. The work has also been adopted as the theme of the European Broadcasting Union, introducing its broadcasts and best known as the signature tune of the Eurovision Song Contest introducing the programme since the contest started in 1956. You can download the PDF sheet music, or mp3 and midi versions using the links in the left hand menu. Your browser does not support the audio element.